'Neath the Promise of a Darkened SkyFeb 20, 2024 4:26:19 GMT -5
groupWandering-Nin
age 20 years old
birthday July 21st
rank B-Rank
occupation Vagabond
bite into flesh; drawing blood In the tense seconds after his surprise attack, his dark eyes flitted between all of the combatants. The man on the end of his sword, the squad's leader, the other subordinate, and Utsuwa— sliced open and still standing. "...what?!" The priest was bleeding profusely, the wound certainly deep enough to fell even the sturdiest of warriors. Yet there they were, standing, grinning, and singing, still. Unfortunately he did not have the luxury of pondering the impossibility of the situation, as a kunai sliced through the rain towards him. He shifted his weight, then turned. Sword acting as a lever for him to (rather painfully) position his victim in the knife's path, using the freshly impaled shinobi as an impromptu human shield. A dull thud sounded out, followed by another anguished groan. By the time he was able to peek over the man's shoulder it was already too late. A set of hand seals blurred faster than he was able to read or react to, and a spark of lightning crackled in the wet air. "Damn!" All he could do was rotate further... Allowing the bolt of electricity to fly towards the nearest conductor there was: his bloodied, busied sword. A flash of blue light was followed by the sizzling of blood and a half-croaked screech of the stabbed man. "Bad move." The thought shot through his mind, his teeth gnashing against each other as he was just a moment too late in removing both hands from the weapon's hilt. His left was fine, but the palm of his right seared and split. Eventually he was able to release his hold... but not through any choice of his own. The technique stunned his rain-soaked body, gathered in the hilt of his katana, and burst, sending him sliding backwards along the ground. "For the both of us." He managed to stay standing just barely, but a glance down saw his palm blackened and blistered. Try as he might, he could not ignore the pain so instead he merely grit his teeth and kept his hand as relaxed as possible so as not to agitate the wound. "I still have my left..." It was not ideal, but it would have to do. There was no other alternative. Not wasting a moment more, he reached behind his waist to grab hold of a pellet within a pouch there. In one motion he brought his hand forward and dashed it on the muddy ground. As it impacted, the smoke bomb burst to release a cloud of thick smog that obscured his form. "It will not be as effective in the rain." He thought, referring to the already-thinning smoke as he narrowed his eyes and lifted his right arm. That three-headed serpent staring right back at him. "But I only need a moment." A small burst of chakra activated the Karada Fūinjutsu, and once it did, the dark cloud of smoke swirled then dispersed from the sudden materialization of something massive. White scales, a coiled body thirteen feet long, and two piercing yellow eyes set within a menacing reptilian head. "Yamata." He thought, still crouched as the pale snake partly encircled him. "These foes are no samurai... but you can hone your fangs on them, all the same." Translucent threads emerged from his undamaged hand to attach to the creation at various points. With a single 'biting' gesture, the snake reeled back and lurched forwards, bringing its iron fangs to bear on the squad leader with the Kugutsu no Jutsu. Its weighty head smashed into the ground and rocked the immediate area, just barely missing the Ishi-nin as she leapt away to safety and stared on in what could only be shock. "She iss fast." A thought as his eyes followed her path. "I will need to pin her down." Briefly, he glanced to the Jashinist to see that they suffered several more wounds. One kunai in their arm and another in their forehead. Though his eyes refused to believe what he was witnessing, now was no time to lose focus. So instead he turned back towards the leader. It was clear in her movements alone that she was more skilled than he... so if he could not best her soon, he would need to change course. "Go." A thought as he conducted the snake once more, its body slithering along the wet ground after the Ishi-nin with a flick of his hand. "The longer she runs, the higher the chances of her acting in error.." Another bite.. ...another dodge. Though if she was too preoccupied to launch an effective counterattack— he was more than fine with that. Until he could get a feel for the kind of opponent she was, that is. Then he could concoct an actual plan. OFFENSIVE TECHNIQUES: NAME: Kugutsu no Jutsu - [Puppet Technique] RANK: C CHAKRA USAGE: Very Low [Continuous] CLASSIFICATION: Ninjutsu [Puppetry] ELEMENT: N/A DESCRIPTION: The fundamental and most used technique of the style, Kugutsu no Jutsu allows a puppeteer the ability to use puppets in battle. While the degree in skill determines the number of puppets that can be controlled, for starters the user can control only one. By making near invisible strings of chakra from each of their ten fingertips and attaching them to their puppets they are able to control the puppet from various distances. However there is a delay between the puppeteers orders and the puppets movements, meaning puppet movement will not be instantaneous, and the response time increases based on distance. SUPPORTIVE TECHNIQUES: NAME: Karada Fūinjutsu [Body Sealing Technique] RANK: B CHAKRA USAGE: Low CLASSIFICATION: Fūinjutsu ELEMENT: - HANDSEALS: 0 DESCRIPTION: An upgrade to the Hikin Fuinjutsu [Generic Sealing Technique], the user creates a seal on their own skin for which a multitude of objects can be stored. If cast on the user themselves, the seals become reactive to the body's own chakra, and it becomes more difficult for others to forcibly draw items from the seal. The closer the mark is made to the center of one's chakra coil, at the pit of their gut, the stronger this protection becomes. Directly attuned to the user's chakra, seals take up half the space they ordinarily would. And in the case of it being sealed on the user, items can be released via small chakra burst rather than touch. SPECIAL ABILITIES: KASHIRA-WARI・首割り - ENHANCED CHAKRA CONTROL Puppeteers must maintain expert control over their wide selection of puppets, and so too must a shinobi with their chakra. Necessary for his Puppet Ninjutsu and applicable to his other techniques, Uemon has trained extensively in order to mitigate the amount of chakra he uses with his jutsu. Compensating for his average chakra reserves this allows him to stay in the fight that much longer. TSUKURIMONO・作り物 - INTELLIGENCE Stage and setting can make or break a performance. A director needs vigilance and flexibility to ensure all the moving parts of a play go off without a hitch. A learned strategist with a quick mind, Uemon is always observing even in the midst of combat. This allows for him to find gaps and weaknesses in his opponent's techniques easier than some, and allows him to formulate strategies and deceptions to take advantage of these shortcomings. A knack for tactics cues him on which approach works best depending on his target. ASHIZUKAI・足遣い - SPEED Operating the legs of a puppet requires dexterity and agility. Much like moving one's own body. As a child in Tetsu no Kuni Uemon trained in Jujitsu and Kenjutsu, finding his aptitude for speed rather than strength. Honed after years on the road with his mentors, Uemon is surprisingly light on his feet and his hand-to-hand strikes are faster than most expect. Able to strike and weave with deft swiftness he is capable of holding his own against Taijutsu specialists of his rank and outright overwhelming those of lower ranks in terms of speed. SHOMEI・署名 - SENSOR TYPE Lighting is a crucial part of any play. Identifying the actors and drawing focus to them in the dark. With much training Uemon has become a Sensor Type, able to detect and hone in on chakra signatures akin to a sixth sense of sorts. A useful tool when it comes to tracking or surveillance. As of now, he is capable of passively sensing chakra up to one hundred meters from his body, or one kilometer if actively searching. This also allows him to more efficiently utilize his puppets without needing a direct line of sight to his targets. Knowing the placement of actors on stage at all times is essential. |
last edit by Muramasa Uemon on Feb 28, 2024 11:02:51 GMT -5
Yenga
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