now... the time is right
More killing, talk of evacuating workers, an order to 'level the place' after they were done.
For all their carnage they seemed rather focused on the lumber mill itself. It seemed the deaths of the men hired to guard it were just unfortunate cost of their objective... in their eyes, anyway.
"Hm..." A thought as he shifted.
Reaching slowly to his waist to remove a tiny scroll held on a holster.
"I have a feeling I'm going to regret this." The wanderer thought to himself, unfurling the parchment and placing his fingertips on a symbol that read '兎'. Quietly as he could, he funneled chakra into it, summoning forth a small white rabbit with his
Kugutsu Kuchiyose no Jutsu. It made no sound, and was about as light of foot as himself. Still crouching, he clasped his hands together in a Tora hand seal, using his
Kugutsu Bunshin no Jutsu to duplicate three copies of the animal.
"If I'm going to reveal myself..." A few strings extended from the fingers on his right hand, causing the small rabbits to amble forward out of the brush in a lifelike manner with
Kugutsu no Jutsu.
"Best to stack the odds in my favor." Just in case. Better smart than very sorry.
Appearing like normal, curious woodland creatures the rabbits positioned themselves among the people present, near members of the ambushing group but away from any workers so they would not be caught in the crossfire.
If there was to be any, that is. A shake of his head later and he removed his hood and backed carefully out of the brush. Back onto the road to resume his role as a traveler. A sword slung around his left shoulder, but rather unassuming otherwise. The wanderer made his way along the path, stopping once he reached the mill to glance at it.
Dark eyes looked at all of the people present, his rabbits, and the corpses on the ground.
"Here we go..." Now out in the open, he slowly began his approach. Carefully, and not in an aggressive manner. The last thing he needed was to spook some jumpy nature crusader.
"..." Silence as he came to a stop. Scanning those present.
"Excuse me..."Soft-spoken as ever, but enough to get their attention. Particularly their leader, he hoped.
"What's going on here?" He did not seem fazed by the bodies or expressive at all for that matter. Instead he watched. And waited.
OFFENSIVE TECHNIQUES:
NAME: Kugutsu no Jutsu - [Puppet Technique]
RANK: C
CHAKRA USAGE: Very Low [Continuous]
CLASSIFICATION: Ninjutsu [Puppetry]
ELEMENT: N/a
DESCRIPTION:
The fundamental and most used technique of the style, Kugutsu no Jutsu allows a puppeteer the ability to use puppets in battle. While the degree in skill determines the number of puppets that can be controlled, for starters the user can control only one. By making near invisible strings of chakra from each of their ten fingertips and attaching them to their puppets they are able to control the puppet from various distances. However there is a delay between the puppeteers orders and the puppets movements, meaning puppet movement will not be instantaneous, and the response time increases based on distance.
SUPPORTIVE TECHNIQUES:
NAME: Kugutsu Kuchiyose no Jutsu - [Puppet Summoning Technique ]
RANK: C
CHAKRA USAGE: Low
CLASSIFICATION: Ninjutsu [Puppetry]
ELEMENT: N/a
DESCRIPTION:
A useful technique for puppeteers, it allows one to seal a puppet within a scroll and summon it at will on the battlefield. Depending on the scroll they seal it in, they can seal a number of puppets away at a time.
NAME: Kugutsu Bunshin no Jutsu [Puppet Clone Technique]
RANK: C
CHAKRA USAGE: Very Low - Medium (Per Clone)
CLASSIFICATION: Ninjutsu [Puppetry]
ELEMENT: -
HANDSEALS: 1
DESCRIPTION:
After performing the necessary hand seal the user is able to create a physical clone of a puppet. Multiple clones can be created though the amount of chakra needed to perform this jutsu increases with each one. Naturally more complex puppets require more chakra to clone as well. These puppets retain all weapons and mechanical abilities of the original, though do not retain chakra-reactive/conductive abilities and will disperse after being struck. This does not bypass the necessary chakra strings required to control puppets but with some clever implementation or additional techniques the duplicates can used effectively.
SPECIAL ABILITIES:
KASHIRA-WARI・首割り - ENHANCED CHAKRA CONTROL
Puppeteers must maintain expert control over their wide selection of puppets, and so too must a shinobi with their chakra. Necessary for his Puppet Ninjutsu and applicable to his other techniques, Uemon has trained extensively in order to mitigate the amount of chakra he uses with his jutsu. Compensating for his average chakra reserves this allows him to stay in the fight that much longer.
TSUKURIMONO・作り物 - INTELLIGENCE
Stage and setting can make or break a performance. A director needs vigilance and flexibility to ensure all the moving parts of a play go off without a hitch. A learned strategist with a quick mind, Uemon is always observing even in the midst of combat. This allows for him to find gaps and weaknesses in his opponent's techniques easier than some, and allows him to formulate strategies and deceptions to take advantage of these shortcomings. A knack for tactics cues him on which approach works best depending on his target.
ASHIZUKAI・足遣い - SPEED
Operating the legs of a puppet requires dexterity and agility. Much like moving one's own body. As a child in Tetsu no Kuni Uemon trained in Jujitsu and Kenjutsu, finding his aptitude for speed rather than strength. Honed after years on the road with his mentors, Uemon is surprisingly light on his feet and his hand-to-hand strikes are faster than most expect. Able to strike and weave with deft swiftness he is capable of holding his own against Taijutsu specialists of his rank and outright overwhelming those of lower ranks in terms of speed.
SHOMEI・署名 - SENSOR TYPE
Lighting is a crucial part of any play. Identifying the actors and drawing focus to them in the dark. With much training Uemon has become a Sensor Type, able to detect and hone in on chakra signatures akin to a sixth sense of sorts. A useful tool when it comes to tracking or surveillance. As of now, he is capable of passively sensing chakra up to one hundred meters from his body, or one kilometer if actively searching. This also allows him to more efficiently utilize his puppets without needing a direct line of sight to his targets. Knowing the placement of actors on stage at all times is essential.